Basic Microscopy - How the Microscope Forms Images


Basic Microscopy

How the Microscope Forms Images

In the optical microscope, when light from an illumination source passes through the condenser and then through the specimen, some of the light passes both around and through the specimen undisturbed in its path. This light is called direct, undeviated, or non-diffracted light, and represents the background light. Some of the light interacting with the specimen is deviated or diffracted. Diffracted light is rendered one-half wavelength or 180 degrees out of phase with the direct light that has passed through without encountering obstacles. The one-half wavelength out of phase, caused by the specimen itself, enables this light to cause destructive interference with the direct light when both arrive at the intermediate image plane located at the fixed diaphragm of the eyepiece. The eye lens of the eyepiece further magnifies this image, which finally is projected onto the retina, the film plane of a camera, or the surface of a light-sensitive digital image sensor.

Image Formation in the Optical Microscope

What has happened is that the direct or undeviated light is projected by the objective and spread evenly across the entire image plane at the diaphragm of the eyepiece. The light diffracted by the specimen interferes at the objective rear focal plane (see Figure 1) and is brought into focus at various localized places on the same image plane, where the diffracted light causes destructive interference and reduces intensity, resulting in the generation of a pattern containing a wide spectrum of grayscale values ranging from very dark to very bright. These patterns of light and dark are what we recognize as an image of the specimen. Because our eyes are sensitive to variations in brightness, the image becomes a more or less faithful reconstitution of the original specimen.

To help understand the basic principles of image formation, it is suggested that the reader try the following exercise and use an object of known periodic structure as a specimen. These experiments are easiest to conduct using a stage micrometer or similar grating of closely spaced dark lines. To proceed, place the finely ruled grating on the microscope stage and bring it into focus using first a 10x and then the 40x objective. Remove the eyepiece and, in its place, insert a phase telescope so the rear focal plane of the objective can be observed. If the condenser aperture diaphragm is closed most of the way, a bright white central spot of light will appear at the back of the objective, which is the image of the aperture diaphragm. To the right and left of the central spot, a series of diffraction spectra (also images of the aperture diaphragm; presented in Figure 1) will be present, each colored blue on the part closest to the central spot and colored red on the part of the spectrum farthest from the central bright spot (as illustrated in Figure 2). The intensity of these colored spectra decreases according to how far the spectrum is located from the central spot.

Line Grating Diffraction Patterns

Those diffraction spectra that fall near the periphery of the objective are dimmer than those closer to the central spot. The diffraction spectra illustrated in Figure 2 were captured using three different objective magnifications. In Figure 2(b), the diffraction pattern visible at the rear focal plane of the 10x objective contains two diffraction spectra. If the grating is removed from the stage, as illustrated in Figure 2(a), these spectra disappear and only the central image of the aperture diaphragm remains. If the grating is reinserted, the spectra reappear once again. Note that the spaces between the colored spectra appear dark. Only a single pair of spectra can be observed if the grating is examined with the 10x objective. In this case, one diffraction spot appears to the left and one appears to the right of the central aperture opening. If the line grating is examined with a 40x objective (as shown in Figure 2(c)), several diffraction spectra appear to the left and right of the central aperture. When the magnification is increased to 60x or 63x (and assuming it has a higher numerical aperture than the 40x objective), several additional spectra (see Figure 2(d)) appear to the right and left of those that are visible with the 40x objective in place.

Because the colored spectra disappear when the grating is removed, it can be assumed that it is the specimen itself that is affecting the light passing through, thus producing the colored spectra. Furthermore, if the aperture diaphragm is closed down to a very small opening size, we will observe that objectives of higher numerical aperture grasp more of these colored spectra than do objectives of lower numerical aperture. The crucial importance of these two concepts for understanding image formation will become clear in the ensuing paragraphs. The central spot of light (image of the condenser aperture diaphragm) represents the direct or undeviated light passing through the specimen or around the specimen undisturbed (illustrated in Figure 3(b)). It is called the 0th or zeroth order. The fainter images of the aperture diaphragm on each side of the zeroth order are called the 1st, 2nd, 3rd, 4th, etc. orders respectively, as represented by the simulated diffraction pattern in Figure 3(a), which would be observed at the rear focal plane of a 40x objective. All the captured orders represent, in this case, the diffraction pattern of the line grating as seen at the rear focal plane of the objective.

Diffracted and Undeviated Light in Image Formation

The fainter diffracted images of the aperture diaphragm are caused by diffracted wavefronts, spread out in fan shape, at each of the openings of the line grating (Figure 3(b)). The blue wavelengths are diffracted at a lesser angle than the green wavelengths, which are diffracted at a lesser angle than the red wavelengths. At the rear focal plane of the objective, the blue wavelengths from each slit interfere constructively to produce the blue area of the diffracted image of each spectrum or order. The red and green areas (Figure 3(a)) are spaced a bit further, but arise from the same phenomenon. Where the diffracted wavelengths are one-half wave out of step for each of these colors, the waves destructively interfere to give rise to the dark areas between the spectra or orders. At the position of the zeroth order, all wavelengths from each slit add constructively. This produces the bright white light you see as the zeroth order (see Figures 2, 3 and 4) at the center of the rear focal plane of the objective.

Line Grating and Lined Grid Diffraction Patterns

The closer the spacing of a line grating, the fewer the spectra that will be captured by a given objective, as illustrated in Figure 4(a-c). The diffraction pattern illustrated in Figure 4(a) was captured by a 40x objective imaging the lower portion the line grating in Figure 4(b), where the slits are closer together. In Figure 4(c), the objective is focused on the upper portion of the line grating (Figure 4(b)) where the slits are farther apart, and more spectra are captured by the objective. The direct light and the light from the higher order diffraction maxima are focused by the objective to form an image in the intermediate image plane at the fixed diaphragm of the eyepiece. Here the direct and diffracted light rays interfere and are thus reconstituted into the real, inverted image that is seen by the eye lens of the eyepiece and further magnified. This is illustrated in Figure 4(d) through Figure 4(g) with two types of diffraction gratings. The square grid illustrated in Figure 4(d) represents the orthoscopic image of the grid (in effect, the usual specimen image observed through the eyepieces) as seen through the full aperture of the objective. The diffraction pattern derived from this grid is shown as a conoscopic image that would be seen at the rear focal plane of the objective (Figure 4(e)). Likewise, the orthoscopic image of a hexagonally arranged grid (Figure 4(f)) produces a corresponding hexagonally arranged conoscopic image (Figure 4(g)) of first order diffraction patterns.

Diffracted Light and Resolution

Microscope specimens can be considered as complex line or pattern gratings with details and openings spanning a large range of sizes. This concept of image formation was largely developed by Ernst Abbe, the famous German microscopist and optics theoretician of the 19th Century. According to Abbe (his theories are still widely accepted at the present time), the details of a specimen will be resolved if the objective captures 2 orders of light, such as the 0th order of the light and at least the 1st order of diffraction. The greater the number of diffracted orders that gain admittance to the objective, the more accurately the image will represent the original object. Furthermore, if a medium of higher refractive index than air (such as immersion oil) is used in the space between the front lens of the objective and the top of the cover slip (as shown for a dry objective in Figure 5(a)), the angle of the diffracted orders is reduced and the fans of diffracted light will be compressed. As a result, an oil immersion objective can capture more diffracted orders and yield better resolution than a dry objective (Figure 5(b)). Compare the captured orders in Figure 5(a) and 5(b). Moreover, because blue light is diffracted at a lesser angle than green light or red light, a lens of a given aperture may capture more orders of light when the wavelengths are in the blue region of the visible light spectrum. These two principles explain the classic Rayleigh equation often cited as the basis for calculating point-to-point resolution in the microscope:

d (resolution) = 1.22 • (λ/2NA)(1)

where d is the space between two adjacent particles (still allowing the particles to be perceived as separate), λ is the wavelength of illumination, and NA is the numerical aperture of the objective. It is assumed that the microscope also is equipped with a condenser with the same numerical aperture as the objective (without a condenser, the resolution would be half as good resulting in resolved details that are twice as large). The greater the number of higher diffracted orders admitted into the objective, the smaller the details of the specimen that can be clearly separated or resolved. Herein is the value of using high numerical aperture objectives for examining the smallest possible details in various specimens. Likewise, the shorter the wavelength of visible light used, the better the resolution. These ideas explain why high numerical aperture, apochromatic lenses can separate extremely small details in blue light. Placing an opaque mask at the back of the objective blocks the outermost diffracted orders. This either reduces the resolution of the grating lines, or any other specimen details, or it destroys the resolution altogether so that the specimen is not visible. Hence the usual caution not to close down the condenser aperture diaphragm below the suggested two-thirds of the objective's aperture.

Effects of Immersion Media on Diffraction Orders Captured by the Objective

Failure of the objective to grasp more than one of the diffracted orders results in an unresolved image. In a specimen with very minute details, the diffraction fans are spread at a very large angle, requiring a high numerical aperture objective to capture them. Likewise, because the diffraction fans are compressed in immersion oil or in water, objectives designed for such use can give better resolution than dry objectives. If alternate diffracted orders are blocked out (still assuming the grating as our specimen), the number of lines in the grating will appear doubled (a spurious resolution). The important caveat is that actions introduced at the rear of the objective actually determine the eventual image produced. For small details in a specimen (as opposed to a line grating), the objective projects the direct and diffracted light onto the image plane of the eyepiece diaphragm in the form of small, circular diffraction patterns known as Airy disks (illustrated in Figure 6). High numerical aperture objectives capture more of the diffracted orders and produce smaller size disks than do low numerical aperture objectives. In Figure 6, Airy disk size is shown steadily decreasing from Figure 6(a) through Figure 6(c). The larger disk sizes in Figures 6(a) and (b) are produced by objectives with lower numerical aperture, while the very sharp Airy disk in Figure 6(c) is produced by an objective of very high numerical aperture.

Airy Disks and Resolution According to the Rayleigh Criterion

The resulting image at the eyepiece diaphragm level is actually a mosaic of Airy disks that are perceived as light and dark regions of the specimen. Where two disks are so close together that their central bright spots overlap considerably, the two details represented by these overlapping disks are not resolved or separated and thus appear as one (illustrated in Figure 6(e)). In contrast, the Airy disks shown in Figure 6(d) are just far enough apart to be resolved. The basic principle to be remembered is that the combination of direct and diffracted light (or the manipulation of direct or diffracted light) is critically important in image formation. The key locations for such manipulation are the rear focal plane of the objective and the front focal plane of the condenser. This principle is fundamental to most of the contrast improvement methods in optical microscopy. More important, it is of particular significance at high magnification of small details close in size to the wavelength of light. Ernst Abbe was a pioneer in developing these concepts to explain image formation of light-absorbing or amplitude specimens.

Contributing Authors

Rudi Rottenfusser - Zeiss Microscopy Consultant, 46 Landfall, Falmouth, Massachusetts, 02540.

Erin E. Wilson and Michael W. Davidson - National High Magnetic Field Laboratory, 1800 East Paul Dirac Dr., The Florida State University, Tallahassee, Florida, 32310.

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