Director: Rodrigo Prieto, ASC
Cinematographer: Rodrigo Prieto, ASC
Shot On: ZEISS Supreme Prime Radiance Lenses | SONY Venice

Cinematographer Rodrigo Prieto ASC, AMC talks about the inseparability of storytelling and look and how ZEISS Supreme Prime Radiance lenses helped him to realize his short film R&R.

Director: Aki Mizutani
Cinematographer: Takuro Ishizaka, JSC
Shot On: ZEISS Supreme Prime Radiance Lenses | SONY Venice

Cinematographer Takuro Ishizaka, JSC talks about the making of "Metamorphosis", a short film inspired by the studies of Swiss psychiatrist Carl Gustav Jung (1875-1961) and how ZEISS Supreme Prime Radiance lenses helped him and director Aki Mizutani to realize their project.

A new coating for a new look: Once we had defined what we wanted to achieve with the look, instead of just uncoating lens elements, we revisited our T* coating formulae and reworked them: the birth of T* blue. By that we not only made sure that the resulting flares can be planned and reproduced but were also able to maintain contrast and avoid transmission loss that one normally experiences with uncoated lens elements.

The ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful and consistent flares but with one key ability – control. This is made possible by our newly developed lens coating T* blue. Under regular lighting, Supreme Prime Radiance render like modern and versatile cinematography lenses. With appropriate lighting however, the lenses start to flare. Cinematographers can decide and plan when they want to create flares rather than relying on unforeseen effects. Overall, Supreme Prime Radiance are a touch warmer than Supreme Primes but still retain all the other features that one might have experienced from using the regular Supreme Prime lenses.

The ZEISS Supreme Prime Radiance lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments.

A very smooth transition between in-focus and out of focus areas characterize the unique look of the ZEISS Supreme Prime Radiance lenses. This adds richer texture and greater depth to the image.

The ZEISS Supreme Prime Radiance lenses possess a look, which ensures freedom in creating the look you want to achieve. Especially when capturing crucial textures such as skin tones, the unique quality of the ZEISS Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.

The unique ZEISS eXtended Data technology offers lens metadata critical for VFX-intensive productions and workflows on set. The frame accurate information about focal length, focusing distance, T-stop and depth-of-field enables the camera assistant to work more precisely and eliminates guesswork for the DIT.

ZEISS Cinematography lenses are designed and manufactured at ZEISS headquarters in Oberkochen, Germany. The lenses are assembled manually and engraved with individually calibrated scales. Serviceability is a top priority starting in the initial stages of the development process. ZEISS has built up a global service network in the recent years with authorized service stations offering service according to factory standards in the US, Europe and Asia.

Simplify and increase the accuracy of the image capturing and processing workflow. ZEISS eXtended Data unifies two data sets: key lens data based on the Cooke /i* Technology and the ZEISS distortion and shading lens data. After recording on set together with the video files, they can be applied in post-production for compositing for example by using the ZEISS developed lens plugin.